Pazo Fine Art is pleased to announce the representation of Kate Sable. The gallery and artist relationship has been nurtured over time. In 2020 we presented her solo exhibition, Could I Have Been Just Anyone which comprised a substantial number of paintings. The artist will be included in a two-person exhibition in 2023, presenting new works at our gallery.
Kate Sable is known for her iconic paintings of curvilinear and gridded abstract forms. These are an ongoing investigation between analytical and intuitive use of color, line, gesture, and shape. Her practice engages personal metaphor and inquiry while remaining grounded in the painting process.
Sable holds a BFA from Virginia Tech, with a concentration in Painting and a minor in Art History, and an MFA from the American University, in Washington, D.C. In 2009 she was the recipient of the Mellon Research Grant, from the American University, Washington, D.C., and a Merit Scholarship, from the same institution.
She started exhibiting in 2006 and has had numerous solo exhibitions and group shows. We can mention DREAM JOURNAL, a three-person exhibition curated by Alex Ebstein at Goucher College (Baltimore, MD), and a two-person exhibition at Equilateral Gallery (Los Angeles, California) curated by Sam Scharf. Recent group exhibitions include Slowly and a Soft Speaker at SHOEBOX SPACE in New York, We Go Fast, curated by Ryan Travis Christian at Left Field Gallery (Los Osos, CA), I Like Your Work Podcast’s juried exhibition Be Long at Dutoit Gallery (Dayton, OH) and Hen House’s All Female Tiny Show (Washington, DC). Her work is included in the Spring Issue 17 of ArtMaze Magazine and featured in the curatorial project Air in Space with the release Blurring All the Lines and the publication Friend of the Artist (Volume 8). She was recently included in the curated drop HOT PAPER X CHARLIE ROBERTS for GIFC Worldwide and was a guest on I Like Your Work Podcast, interviewed by Erika Hess. This October 14, her solo exhibition, The Line as Folding, will inaugurate at the Armory Gallery in her alma mater Virginia Tech. The show runs until November 18, 2022.
Reviews of her work and exhibitions have been published in The Washington Post, Washington City Paper, and Two Coats of Paint, among others.